연예인 2011. 9. 7. 06:36

Sumi Jo


Sumi Jo (born November 22, 1962 (age 48)) is a Grammy Award winning South Korean lyric coloratura soprano known for her interpretations of the bel canto repertoire.

Career

In 1986, Jo made her European operatic debut as Gilda in Verdi's Rigoletto at the Teatro Comunale Giuseppe Verdi in Trieste. This debut performance attracted the attention of Herbert von Karajan, who proceeded to cast her as Oscar in Un ballo in maschera opposite Placido Domingo at the Salzburg Festival in 1987. In 1988, Jo made her La Scala debut as Thetis in Jommelli's Fetonte. That same year she also made her debut with the Bavarian State Opera and sang Barbarina in The Marriage of Figaro at the Salzburg Festival. In 1989, Jo made her debut with the Vienna State Opera and returned to the Salzburg Festival to sing Oscar in Verdi's Un ballo in maschera. That same year, she made her debut with the Metropolitan Opera, once again portraying Gilda in Rigoletto. Jo would later reprise this role numerous times with the Met over the next fifteen years.
In 1990, Jo made her debut with the Chicago Lyric Opera as the Queen of the Night in Mozart's The Magic Flute.  The following year, she returned to the Metropolitan Opera for another performance as Oscar in Un ballo in maschera and made her Royal Opera at Covent Garden debut as Olympia in The Tales of Hoffmann. She returned to Covent Garden the next year to sing both Adina in L'elisir d'amore and Elvira in I puritani.
Sumi Jo, 1998
In 1993, Jo appeared in the title role of Donizetti's Lucia di Lammermoor with the Metropolitan Opera and sang the role of the Queen of the Night at both the Salzburg Festival and Covent Garden.  The following year she made her debut with Los Angeles Opera as Sophie in Strauss' Der Rosenkavalier. In 1995 she sang the role of Countess Adele in Le comte Ory at the Aix-en-Provence Festival.Over the next decade Jo maintained a busy schedule, singing Lucia in Strasbourg, Barcelona, Berlin, and Paris; La sonnambula in Brussels and Santiago, Chile; I Capuleti e i Montecchi with Minnesota Opera; Olympia in New York; Rosina in New York; the Queen of the Night in Los Angeles; Gilda in Bilbao, Oviedo, Bologna, Trieste, and Detroit among others; Il turco in Italia in Spain; L'enfant et les sortileges in Boston and Pittsburgh; Le comte Ory in Rome; and Dinorah in New York. She also appeared in performances at the Theatre du Chatelet, Theatre des Champs-Elysees, Opera National de Paris, Washington Opera, the Deutsche Oper Berlin, Opera Australia, and the Teatro Colon.
In addition, she appeared with numerous symphony orchestras in concert, including the Vancouver Symphony Orchestra,  the Cincinnati Pops, the Orchestra of St. Luke's, the Vancouver Symphony Orchestra, the Vienna Philharmonic, the London Philharmonic Orchestra, the Los Angeles Philharmonic, and the Hollywood Bowl Orchestra among others. Her work led her to sing under such conductors as Sir Georg Solti, Zubin Mehta, Lorin Maazel, James Levine, Kent Nagano, and Richard Bonynge. She also gave recitals throughout Europe, the United States, Canada, and Australia.In 2007, Jo performed her first Violetta in La traviata with the Toulon Opera and in the 2008/2009 season she was scheduled to perform the role of Zerline in Fra Diavolo at both the Opera Comique andOpera Royal de Walloniehttp://www.firstnamestore.com/?p=22004

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연예인 2011. 9. 7. 06:32

Won Bin 원빈,김도진

 
 Won Bin (Hangul: 원빈; born Kim Do-jin; Hangul: 김도진 on November 10, 1977) is a top South Korean actor and model.Won made his screen debut with a supporting role in the 1997 drama Propose. His role in Ready Go! (1998) helped hone his acting chops. After Ready Go!, he took a break and entered a college called Paekche Institute of the Arts in 1998 to take acting classes. In 1999, Won came back to the screen with a lead role in drama Kwangki from which he was recognized as a promising young actor and a teen heartthrob.He made his big breakthrough in 2000 with drama Kkokji and Autumn Fairy Tale. His role as a rebellious youngest son in Kkokji proved his acting potential and his role in the widely successful drama Autumn Fairy Tale landed him on the A-list for Korean performers. Autumn Fairy Tale gained wide popularity in Asia and he became one of the most popular Korean actors in Korea and Asia as well. In 2002, Won became the first Korean actor to get wide popularity in Japan through the first Japan and Korea joint production drama Friends.Won also had roles in several popular movies, including Guns & Talks and My Brother, but it is his portrayal of the sensitive younger brother in the blockbuster war movie Taegukgi (aka Taegukgi: The Brotherhood of War) (2004) that has truly cemented his fame in the international realm. With the success of the critically acclaimed Taegukgi, recognition of his acting skills has reached an ever-wider international audience. Taegukgi is the best selling movie in South Korea in 2004 with 11.75 million admissions.
 
His career was interrupted by his mandatory service to the South Korean Army. After graduating from the Graduate School of Arts in Yong-In University in 2005, Won started his military duty in November 2005 and stationed at the Korean Demilitarized Zone, a position for which he volunteered. On June 2, 2006, the military officially confirmed Won Bin's discharge. The decision was made by the military when Won Bin sustained injury to his ACL. He had undergone surgery and was officially discharged on June 7, 2006. After the surgery, he had gone through rehabilitation program for more than one year to recover from the injury.Won was appointed as UNICEF Goodwill Ambassador of the Korean Committee on September 6, 2007. He has participated in various programs and charity events in Korea for UNICEF from that time on, and has appeared in several promotional videos.In April 2008, Won finally confirmed that his comeback project would be Mother directed by Bong Joon-ho. Filming started in September 2008 and finished in February 2009. The film was selected to compete in the Un Certain Regard section of the 2009 Cannes Film Festival. He walked the red carpet at the film's world premiere on May 16, 2009 in the 2009 Cannes Film Festival. Won's new movie The Man from Nowhere was released in August 2010.http://www.firstnamestore.com/?p=22007

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연예인 2011. 9. 7. 06:18

Frances Jane Crosby

Frances Jane Crosby (March 24, 1820 – February 12, 1915), usually known as Fanny Crosby in the United States and by her married name, Frances van Alstyne, in the United Kingdom, was an American Methodist rescue mission worker, poet, lyricist, and composer. During her lifetime, she was well-known throughout the United States. By the end of the 19th century, she was "a household name in evangelical Protestant circles" globally, and "one of the most prominent figures in American evangelical life". She became blind as a child.
 
Best known for her Protestant Christian hymns and gospel songs, Crosby was "the premier hymnist of the gospel song period (ca. 1870-1920)", and one of the most prolific hymnists in history, writing over 8000, with over 100 million copies of her songs printed. Crosby was inducted into the Gospel Music Hall of Fame in 1975. Known as the "Queen of Gospel Song Writers", and as the "Mother of modern congregational singing in America", with "dozens of her hymns continue to find a place in the hymnals of Protestant evangelicalism around the world", with most American hymnals containing her work, as "with the possible exception of Isaac Watts and Charles Wesley, Crosby has generally been represented by the largest number of hymns of any writer of the twentieth century in nonliturgical hymnals". Her gospel songs were "paradigmatic of all revival music", and Ira Sankey attributed the success of the Moody and Sankey evangelical campaigns largely to Crosby's hymns. Some of Crosby's best-known songs include "Blessed Assurance", "Pass Me Not, O Gentle Saviour", "Jesus Is Tenderly Calling You Home", "Praise Him, Praise Him", "Rescue the Perishing", and "To God Be the Glory". Because some publishers were hesitant to have so many hymns by one person in their hymnals, Crosby used nearly 200 different pseudonyms during her career.
 
(l to r) Mercy, Julia, and Caroline Morris and Fanny Crosby
Crosby wrote over 1,000 secular poems, and had four books of poetry published, as well as two best-selling autobiographies. Crosby was the subject of at least a dozen biographies. Additionally, Crosby co-wrote popular secular songs, as well as political and patriotic songs, and at least five cantatas on biblical and patriotic themes, including The Flower Queen, the first secular cantata by an American composer. Crosby was committed to Christian rescue missions, and was known for her public speaking.http://www.firstnamestore.com/?p=22018

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연예인 2011. 9. 7. 06:12

Homer Alvan Rodeheaver


Homer Alvan Rodeheaver (October 4, 1880 – December 18, 1955) was an American evangelist, music director, music publisher, composer of gospel songs, and pioneer in the recording of sacred music.Rodeheaver—called “Rody” by associates and reporters alike—had a genial, extroverted personality. Although he was not ignorant or unappreciative of classical and traditional sacred music, Rodeheaver enjoyed and promoted lively new gospel songs among Sunday’s congregations. Rodeheaver was a natural showman who could warm his audience with jokes and direct choirs and congregations with his trombone. For instance, he would say that his instrument was a "Methodist trombone" that would occasionally "backslide." Or he'd pull his lips from the mouthpiece and say, "Just imagine! I'm being paid just to do this!"When Lowell Thomas presented Rodeheaver to the New York Advertising Club, Rodeheaver succeeded in getting the advertising agents to sing "Pray the Clouds Away." Will Rogers said, "Rody is the fellow that can make you sing whether you want to or not. I think he has more terrible voices in what was supposed to be unison than any man in the world. Everyone sings for Rody!" When Rodeheaver was introduced to John D. Rockefeller, Sr., on a golf course, Rockefeller delayed his golf game long enough to sing with Rodeheaver, "I'll Go Where You Want Me to Go, Dear Lord." In 1940, Rodeheaver led the singing for 250,000 people who attended the Wendell Willkie homecoming in Elwood, Indiana.
 
 In the days before electronic amplification, Rodeheaver quickly discovered that his trombone could be heard when his voice or the piano could not. He often led congregational singing with his trombone, switching from playing to directing half way through the song and then allowing the trombone to hang on his arm at the elbow. During a Sunday tent campaign in Kansas, a heavy storm with near-hurricane winds caused the top and sides to sag, and a quarter pole fell, striking a woman on the head. When the crowd panicked and rose to flee, Rodeheaver began playing his trombone and the crowd quieted.In his prime, Rodeheaver also used his baritone voice to good effect as a soloist and as a participant in ensembles composed of other members of Sunday’s evangelistic team—especially duets with contralto Virginia Asher. During the heyday of the Sunday evangelistic campaigns, Rodeheaver directed the nation’s largest choruses: from a few hundred to as many as two thousand volunteers in Sunday’s various campaigns. To him there was nothing incongruous about having his choirs sing the gospel song "Master, the Tempest is Raging", followed by the Hallelujah Chorus from Handel's Messiah.
http://www.firstnamestore.com/?p=22022

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연예인 2011. 9. 7. 06:05

Edwin Othello Excell

 
 Edwin Othello Excell (December 13, 1851 – June 10, 1921), commonly known as E. O. Excell, was a prominent American publisher, composer, song leader, and singer of music for church, Sunday school, and evangelistic meetings during the late nineteenth and early twentieth centuries. Some of the significant collaborators in his vocal and publishing work included Sam P. Jones, William E. Biederwolf, Gipsy Smith, Charles Reign Scoville, J. Wilbur Chapman, W. E. M. Hackleman, Charles H. Gabriel and D. B. Towner.His 1909 stanza selection and arrangement of Amazing Grace became the most widely used and familiar setting of that hymn by the second half of the twentieth century. The influence of his sacred music on American popular culture through revival meetings, religious conventions, circuit chautauquas, and church hymnals was substantial enough by the 1920s to garner a satirical reference by Sinclair Lewis in the novel Elmer Gantry.Excell compiled or contributed to about ninety secular and sacred song books and is estimated to have written, composed, or arranged more than two thousand of the songs he published.  The music publishing business he started in 1881 and that eventually bore his name was the highest volume producer of hymnbooks in America at the time of his death.Excell was described as "a big, robust six-footer, with a six-in caliber voice"  and extraordinary range that enabled him to solo as baritone or tenor. Publisher George H. Doran observed him leading songs at a revival and later noted that Excell "was a master of mass control; he might easily have become conductor of some mighty chorus".  These talents fostered his early success as a rural singing teacher in Pennsylvania and helped secure a position as church choirmaster for the two years preceding his move to Illinois.Two important contacts made during his early years in Chicago were Benjamin F. Jacobs and John H. Vincent. Both men had been heavily involved with the uniform Sunday school lesson system established among many Protestant denominations during the early 1870s. Vincent was also co-founder of the original Chautauqua Assembly and involved with the burgeoning church youth movements of the era, such as Christian Endeavor and Epworth Leagues. Excell assisted with the music of their Sunday school work for at least two years and later served as music editor for correspondence courses Vincent established through the Chautauqua Press. He also performed as a vocalist for programs at the Chautauqua Institution. Insights gained from these associations were significant in that much of what Excell would later publish targeted Sunday school and youth program music needs.The Methodist Episcopal church of Excell's day was still divided into northern and southern denominations created by an antebellum split. Excell and Vincent were affiliated with the northern branch known as the Methodist Episcopal Church. In 1885 he met Sam P. Jones, a Georgia evangelist of the Methodist Episcopal Church, South, and was invited to join him as vocalist the following year, which included a campaign in Toronto during October, 1886.

1887 Sheet Music
Jones' musical director at that time was Marcellus J. Maxwell of Oxford, Georgia. He was also a capable singer and songwriter, though more reserved than Excell. They became an effective musical team known informally as "Ex and Max".  At some point prior to 1895, Excell became the principal song leader and vocalist Jones referred to as "this big-hearted, noble soul ..., my chorister, Brother Excell."  The respect was mutual and good natured. In 1887 Excell wrote and published a spiritualized rendition of "one of the trite sayings of the Reverend Sam P. Jones" titled You Better Quit Your Meanness. It was dedicated to Jones by "his Co-Worker, E. O. Excell". They worked together throughout the United States and Canada until Jones' death in 1906. Though their twenty year partnership was not exclusive, it was one of the most significant influences on Excell's career.While serving as Jones' chorister, Excell became adept at crafting large volunteer choirs out of recruits from multiple local churches that had never sung together before. These combined revival and evangelistic meeting choirs typically had fewer than 400 participants. However, William Shaw of Christian Endeavor listed Excell among Ira Sankey, Homer Rodeheaver, and other distinguished musicians who had led choirs in the range of one thousand to four thousand voices at their conventions.Excell assisted a number of other evangelists and religious conference leaders in various musical capacities. He worked as a vocalist for William E. Biederwolf, aPresbyterian minister active with the Winona Lake Bible Conference and its related chautauqua, with whom he also collaborated on a number of hymnbooks.During the final decade of his life he assisted with the music program of  British evangelist Gipsy Smith. http://www.firstnamestore.com/?p=22031

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연예인 2011. 9. 7. 05:50

Susan Victoria Lucci


Susan Victoria Lucci (born December 23, 1946) is an American actress and entrepreneur, best known for portraying Erica Kane on the daytime drama All My Children. The character is considered an icon, and Lucci has been called "Daytime's Leading Lady" by TV Guide, with New York Times and Los Angeles Times citing her as the highest-paid actor in daytime television.As early as 1991, her salary had been reported as over $1 million a year. In 2005, she received a Star on the Hollywood Walk of Fame for her contribution to television. She also has her own line of hair care products, perfumes, lingerie and skin care, called The Susan Lucci Collection.In 1996 TV Guide ranked her number 37 on its 50 Greatest TV Stars of All Time list.

Susan Lucci featured on a Riunite trailer in 1977.
Lucci is best known for playing Erica Kane on the ABC television soap opera All My Children, on which she has appeared since the show's inception on January 5, 1970. She is the only original cast member remaining on the series.Lucci was nominated for the Outstanding Lead Actress in a Drama Series Emmy for her work on All My Children almost every year since 1978. When Lucci did not win the award after several consecutive nominations, her image in the media began to be lampooned, as she became notoriously synonymous with never winning an Emmy. NBC's Saturday Night Live exploited this by asking her to host an episode, where her monologue parodied the cast, crew, and even stagehands carrying Emmys of their own in her presence. In addition, she appeared in a 1989 television commercial for the sugar substitute Sweet One, intended to portray her as the opposite of her villainess character, yet throwing one of Erica Kane's characteristic tantrums, shouting "11 years without an Emmy! What does a person have to do around here to get an Emmy?"After 18 failed nominations, she finally won in 1999.  When presenter Shemar Moore announced Lucci's name, stating "the streak is over," the audience erupted in a standing ovation, lasting several minutes. As Lucci took to the stage, cameras caught All My Children co-stars Kelly Ripa and Marcy Walker weeping openly, along with long-time supporter, actress and television host Rosie O'Donnell. Actor Ingo Rademacher was seen bowing in the aisles and talk show host Oprah Winfrey rushing the stage cheering from the wings
.
When ABC canceled All My Children on April 14, 2011 after 41 years on the air, Lucci said in an interview: "It's been a fantastic journey. I've loved playing Erica Kane and working with Agnes Nixon and all the incredible people involved with All My Children. I'm looking forward to all kinds of new and exciting opportunities."  On July 7, 2011, Prospect Park acquired the licensing rights of All My Children to continue the series. The company made an offer to Lucci to keep her salary the same as what ABC is currently paying her if she decides to stay with the soap opera once it moves to Prospect Park. Lucci has not given her answer yet to this offer.http://www.firstnamestore.com/?p=22036

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